As we await the much-anticipated reunion of Priyadarshan and Akshay Kumar in Bhooth Bangla, Sreeju Sudhakaran looks back at their six memorable collaborations, ranking them by how consistently they deliver on entertainment.
One Battle After Another touches on big ideas like racism, immigration, abuse of power, identity, and parenthood without turning preachy, observes Mayur Sanap.
The Devil Wears Prada is getting a sequel in 2026, and reminding us how Bollywood has consistently delivered films and shows that are not just memorable entertainers but also major trendsetters in fashion.
Sanjay Dutt, known for his 'Khalnayak' image, is set to return to the big screen as a historical antagonist in Raja Shivaji' and a rugged gangster in 'KD - The Devil'. This article ranks his most compelling villainous performances in Hindi cinema, highlighting his versatility in embracing darker roles.
Mahesh Narayanan's Patriot is a cerebral spy thriller that delves into the weaponisation of digital surveillance against civilians and the targeting of whistleblowers, featuring Mammootty, Mohanlal, and Fahadh Faasil.
'Each mother I have played is different, but the writing dictates the doing of it. If it's written well, that's half the work done for an actor.'
Malayalam cinema legends Mammootty and Mohanlal are set to reunite on screen in Mahesh Narayanan's espionage thriller 'Patriot' after 18 years, with Mammootty in the lead and Mohanlal in an extended cameo.
'Shah Rukh Sir gave us a lot of room to make the film we wanted to make.'
Savin Sa's 'Vaazha 2: Biopic of a Billion Bros' has officially joined the exclusive Rs 200 crore club, becoming the fifth Malayalam film to achieve this milestone and the first with rank newcomers in the lead, while also being ranked among the top five highest-grossing Malayalam films.
Amazon Prime Video promises big releases coming up this year!
Everybody Loves Sohrab Handa is a well-acted, smartly written murder mystery with a finely tuned performances from Vinay Pathak and the rest of the cast, notes Sreeju Sudhakaran.
The silliness Detective Sherdil packs in the guise of humour not only trivialises a likeable star into a scallywag but squanders its ensemble cast into one-note distractions, notes Sukanya Verma.
The year had a variety of films to choose from. Not all of them were successful at the box office, but had merit.
Sunny Deol. Akshaye Khanna. Anil Kapoor. Madhuri Dixit. Saif Ali Khan. Manoj Bajaypee. Netflix's 2026 slate packs a starry punch.
Mamla Legal Hai 2 draws humour from its assorted characters, crafting quirky storylines inspired by newspaper headlines, and anchored by consistently strong performances, led by an ever-reliable Ravi Kishan, applauds Sreeju Sudhakaran.
Aseem Chhabra lists his top 10 films from this year's Sundance festival, a blend of narratives and documentaries made in the US and other parts of the world.
'When he was not shooting, he was telling us stories and anecdotes. And reciting poems.'
Boong wins a BAFTA, and India can't stay calm!
Nyrraa Banerji's reason for staying away from Bollywood for a while: 'In Bollywood, there was a phase where all the movies were getting very bold. Physical intimacy was the criteria at that time for films. I didn't want to be part of that.'
The National Human Rights Commission (NHRC) has formally requested that authorities take action over a scene in the Netflix series The Ba**ds of Bollywood* featuring actor Ranbir Kapoor allegedly using an electronic cigarette (e-cigarette) without a warning or disclaimer. The National Human Rights Commission has urged the Secretary, Ministry of Information and Broadcasting, to act, and asked the Mumbai Police Commissioner to register an FIR against Ranbir Kapoor, the production company, the producers and Netflix. The complaint claims the portrayal of Ranbir's character vaping in the series contravenes the Prohibition of Electronic Cigarettes Act, 2019, and could negatively influence youth.
June's OTT line-up looks entertaining. There's a lot coming up in theatres this month too.
Aseem Chhabra ranks the Best of 2025's films that released in theatres, or went directly to OTT platforms.
It looks like Diljit is having a field day with this one, one hopes his joy rubs off on viewers as well, notes Mayur Sanap.
Wondering where to catch some overlooked, understated gems. Here are some OTT recommendations for you.
The Raja Saab is a poorly judged effort to appease to the lowest hanging fruit, and is not sincere in its ambition to entertain, notes Arjun Menon.
'I want to show bearded men actually caring and loving for their sons or a woman from Pakistan in a position of power. How radical is that?'
The Showsha Reel awards 2025 saw a splash of glamour on the red carpet, as Bollywood's actors lent some star appeal.
Yash Raj Films is all set to introduce Ahaan Panday and Aneet Padda in their new film, Saiyaara, an intense love story.
If Housefull 5 earlier set the party mood with Akshay Kumar and his 18-member cast, Metro... In Dino brings romantic vibes with a different kind of ensemble cast.
Raat Akeli Hai 2 is watchable, but considering the strength of its predecessor, it could have been more engaging, with a greater sense of urgency and a sharper, cleverer story, notes Mayur Sanap.
'It feels like the universe gently whispered, 'Pause, don't rush away yet, there's a story waiting for you here'.'
The film lurches from one melodramatic situation to another, for nearly 160 minutes, before culminating in an ending that embodies Director Anupam Kher's personal philosophy: Kuch bhi ho sakta hain, notes Mayur Sanap.
'Whenever we did any scenes together, whatever we did in the film, he never said, "Let's do another take or let's move on".' 'He always asked me, "Parmeet, is it okay?" Till I gave my best, he kept going on.'
'Sholay had a sargam of human emotions.'
'Everyone wants me to do Naatu Naatu again.'
Sickness on screen is a sure shot way of seeking audience sympathy and turning on the waterworks.
This weekend, we lost Diane Keaton, that piece of American heart, Hollywood's darling hummingbird. Thank God she is still alive in her films. Aseem Chhabra on the Hollywood star he was in love with.
Revolver Rita doesn't use its comic potential to its fullest and ends up a passable comedy that could have used more bite, observes Arjun Menon.
Eko, a smartly written film, loses steam midway but somehow stays afloat and deliver the goods, notes Arjun Menon.
